Edited by Rajendra Roy and Anke Leweke. With contributions by Thomas Arslan, Valeska Grisebach, Benjamin Heisenberg, Christoph Hochhäusler, Nina Hoss, Dennis Lim, Katja Nicodemus, Christian Petzold, and Rainer Rother
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The informal movement that critics like to call the Berlin School, as director Christoph Hochhäusler puts it, is a loose affiliation of filmmakers who emerged around the time the Berlin Wall fell. The founding figures—Thomas Arslan, Christian Petzold, and Angela Schanelec—and their younger colleagues are not bound by a manifesto or by any singular aesthetic. Nonetheless, their observant portrayals of characters in flux offer a compelling cinematic expression of the search for new identities in a time of societal change. The films of the Berlin School have resonated profoundly since the mid-1990s, making it one of the most influential auteur movements to emerge from Europe in the new millennium.
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This volume, which accompanies an eponymous exhibition at The Museum of Modern Art, includes essays, observations, and interviews by several of the key figures and illustrates stills from thirty-four of their films. 112 pp.; 100 illus.